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		<title>Ancient Greece Today</title>
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		<link>https://podcast.chs.harvard.edu/series/ancient-greece-today/</link>
		<description>Hosted by Naomi Weiss (Professor of the Classics, Harvard University), this podcast brings together scholars and artists to explore the ancient Greek world and how it is used and reimagined in the present day.</description>
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		<itunes:author>Naomi Weiss</itunes:author>
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		<itunes:summary>Hosted by Naomi Weiss (Professor of the Classics, Harvard University), this podcast brings together scholars and artists to explore the ancient Greek world and how it is used and reimagined in the present day.</itunes:summary>
		<itunes:owner>
			<itunes:name>Center for Hellenic Studies</itunes:name>
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				<title>Ancient Greece Today</title>
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		<googleplay:author><![CDATA[Naomi Weiss]]></googleplay:author>
			<googleplay:email>outreach@chs.harvard.edu</googleplay:email>			<googleplay:description>Hosted by Naomi Weiss (Professor of the Classics, Harvard University), this podcast brings together scholars and artists to explore the ancient Greek world and how it is used and reimagined in the present day.</googleplay:description>
			<googleplay:explicit>No</googleplay:explicit>
			<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
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<item>
	<title>Episode 7: Bacchae</title>
	<link>https://podcast.chs.harvard.edu/episode-7-bacchae/</link>
	<pubDate>Fri, 22 May 2026 00:24:44 +0000</pubDate>
	<dc:creator><![CDATA[Naomi Weiss]]></dc:creator>
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	<description><![CDATA[In this episode, we talk about Euripides’ Bacchae. Dr. Lucy Jackson (Durham University) joins Naomi to explore the theatricality of this play about Dionysus, the questions it raises about gender, and how it has been reimagined in modern productions. Professor Monica Youn (University of California, Irvine) gives a reading of her poem “Study of Two Figures, Agave/Pentheus” from the collection From From (2023) and talks with Naomi about how this work traces constructions of Asianness, ancient and modern.]]></description>
	<itunes:subtitle><![CDATA[In this episode, we talk about Euripides’ Bacchae. Dr. Lucy Jackson (Durham University) joins Naomi to explore the theatricality of this play about Dionysus, the questions it raises about gender, and how it has been reimagined in modern productions. Prof]]></itunes:subtitle>
	<content:encoded><![CDATA[In this episode, we talk about Euripides’ Bacchae. Dr. Lucy Jackson (Durham University) joins Naomi to explore the theatricality of this play about Dionysus, the questions it raises about gender, and how it has been reimagined in modern productions. Professor Monica Youn (University of California, Irvine) gives a reading of her poem “Study of Two Figures, Agave/Pentheus” from the collection From From (2023) and talks with Naomi about how this work traces constructions of Asianness, ancient and modern.]]></content:encoded>
	<enclosure url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/05/Tragedy-Today-Ep-7.m4a" length="121218719" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, we talk about Euripides’ Bacchae. Dr. Lucy Jackson (Durham University) joins Naomi to explore the theatricality of this play about Dionysus, the questions it raises about gender, and how it has been reimagined in modern productions. Professor Monica Youn (University of California, Irvine) gives a reading of her poem “Study of Two Figures, Agave/Pentheus” from the collection From From (2023) and talks with Naomi about how this work traces constructions of Asianness, ancient and modern.]]></itunes:summary>
	<itunes:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></itunes:image>
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		<title>Episode 7: Bacchae</title>
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	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:09:14</itunes:duration>
	<itunes:author><![CDATA[Naomi Weiss]]></itunes:author>	<googleplay:description><![CDATA[In this episode, we talk about Euripides’ Bacchae. Dr. Lucy Jackson (Durham University) joins Naomi to explore the theatricality of this play about Dionysus, the questions it raises about gender, and how it has been reimagined in modern productions. Professor Monica Youn (University of California, Irvine) gives a reading of her poem “Study of Two Figures, Agave/Pentheus” from the collection From From (2023) and talks with Naomi about how this work traces constructions of Asianness, ancient and modern.]]></googleplay:description>
	<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Episode 6: Medea</title>
	<link>https://podcast.chs.harvard.edu/episode-6-medea/</link>
	<pubDate>Thu, 14 May 2026 14:00:00 +0000</pubDate>
	<dc:creator><![CDATA[Naomi Weiss]]></dc:creator>
	<guid isPermaLink="false">5fd4245b-7274-5e3b-b077-726f63c4d3fb</guid>
	<description><![CDATA[In this episode, Naomi talks to Professor Al Duncan (University of North Carolina at Chapel Hill) about Euripides’ Medea as a revenge drama, Medea's liminality, and the particular performance opportunities presented by this extraordinary tragedy. Then she interviews Rhodessa Jones, founder and director of The Medea Project: Theater for Incarcerated Women, about Medea and “women on the edge.”]]></description>
	<itunes:subtitle><![CDATA[In this episode, Naomi talks to Professor Al Duncan (University of North Carolina at Chapel Hill) about Euripides’ Medea as a revenge drama, Medeas liminality, and the particular performance opportunities presented by this extraordinary tragedy. Then she]]></itunes:subtitle>
	<content:encoded><![CDATA[In this episode, Naomi talks to Professor Al Duncan (University of North Carolina at Chapel Hill) about Euripides’ Medea as a revenge drama, Medea's liminality, and the particular performance opportunities presented by this extraordinary tragedy. Then she interviews Rhodessa Jones, founder and director of The Medea Project: Theater for Incarcerated Women, about Medea and “women on the edge.”]]></content:encoded>
	<enclosure url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/05/Tragedy-Today-Ep-6.m4a" length="102443715" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, Naomi talks to Professor Al Duncan (University of North Carolina at Chapel Hill) about Euripides’ Medea as a revenge drama, Medea's liminality, and the particular performance opportunities presented by this extraordinary tragedy. Then she interviews Rhodessa Jones, founder and director of The Medea Project: Theater for Incarcerated Women, about Medea and “women on the edge.”]]></itunes:summary>
	<itunes:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></itunes:image>
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		<title>Episode 6: Medea</title>
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	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>00:58:58</itunes:duration>
	<itunes:author><![CDATA[Naomi Weiss]]></itunes:author>	<googleplay:description><![CDATA[In this episode, Naomi talks to Professor Al Duncan (University of North Carolina at Chapel Hill) about Euripides’ Medea as a revenge drama, Medea's liminality, and the particular performance opportunities presented by this extraordinary tragedy. Then she interviews Rhodessa Jones, founder and director of The Medea Project: Theater for Incarcerated Women, about Medea and “women on the edge.”]]></googleplay:description>
	<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Episode 5: Antigone</title>
	<link>https://podcast.chs.harvard.edu/episode-5-antigone/</link>
	<pubDate>Thu, 07 May 2026 10:03:08 +0000</pubDate>
	<dc:creator><![CDATA[Naomi Weiss]]></dc:creator>
	<guid isPermaLink="false">2fa75a48-231e-568a-8745-cd2c366de505</guid>
	<description><![CDATA[In this episode, we discuss Sophocles’ Antigone, from classical Athens to 21st-century Mexico. Dr. Andrés Carrete (Center for Hellenic Studies, Harvard University) joins Naomi to explore different frameworks, ancient and modern, for understanding this incredibly influential play. Then they talk to two Mexican playwrights, David Gaitán and Perla de la Rosa, who have both produced their own versions of Antigone as forms of political theater.]]></description>
	<itunes:subtitle><![CDATA[In this episode, we discuss Sophocles’ Antigone, from classical Athens to 21st-century Mexico. Dr. Andrés Carrete (Center for Hellenic Studies, Harvard University) joins Naomi to explore different frameworks, ancient and modern, for understanding this in]]></itunes:subtitle>
	<content:encoded><![CDATA[In this episode, we discuss Sophocles’ Antigone, from classical Athens to 21st-century Mexico. Dr. Andrés Carrete (Center for Hellenic Studies, Harvard University) joins Naomi to explore different frameworks, ancient and modern, for understanding this incredibly influential play. Then they talk to two Mexican playwrights, David Gaitán and Perla de la Rosa, who have both produced their own versions of Antigone as forms of political theater.]]></content:encoded>
	<enclosure url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/05/Tragedy-Today-Ep-5.m4a" length="130474189" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, we discuss Sophocles’ Antigone, from classical Athens to 21st-century Mexico. Dr. Andrés Carrete (Center for Hellenic Studies, Harvard University) joins Naomi to explore different frameworks, ancient and modern, for understanding this incredibly influential play. Then they talk to two Mexican playwrights, David Gaitán and Perla de la Rosa, who have both produced their own versions of Antigone as forms of political theater.]]></itunes:summary>
	<itunes:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></itunes:image>
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		<title>Episode 5: Antigone</title>
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	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:25:26</itunes:duration>
	<itunes:author><![CDATA[Naomi Weiss]]></itunes:author>	<googleplay:description><![CDATA[In this episode, we discuss Sophocles’ Antigone, from classical Athens to 21st-century Mexico. Dr. Andrés Carrete (Center for Hellenic Studies, Harvard University) joins Naomi to explore different frameworks, ancient and modern, for understanding this incredibly influential play. Then they talk to two Mexican playwrights, David Gaitán and Perla de la Rosa, who have both produced their own versions of Antigone as forms of political theater.]]></googleplay:description>
	<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Episode 4: Oedipus the King</title>
	<link>https://podcast.chs.harvard.edu/episode-4-oedipus-the-king/</link>
	<pubDate>Thu, 30 Apr 2026 09:00:00 +0000</pubDate>
	<dc:creator><![CDATA[Naomi Weiss]]></dc:creator>
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	<description><![CDATA[In this episode, we turn to Sophocles’ Oedipus the King. Dr. Lyndsay Coo (University of Bristol) joins Naomi to discuss the play’s plot, its riddles, its questioning of human knowledge, and the role of the gods in a tragedy where they may at first seem absent. Janet Eilber, Artistic Director of the Martha Graham Dance Company, then talks about Graham’s Night Journey (1947), which tells Oedipus' story through the body of Jocasta, his wife and sister.]]></description>
	<itunes:subtitle><![CDATA[In this episode, we turn to Sophocles’ Oedipus the King. Dr. Lyndsay Coo (University of Bristol) joins Naomi to discuss the play’s plot, its riddles, its questioning of human knowledge, and the role of the gods in a tragedy where they may at first seem a]]></itunes:subtitle>
	<content:encoded><![CDATA[In this episode, we turn to Sophocles’ Oedipus the King. Dr. Lyndsay Coo (University of Bristol) joins Naomi to discuss the play’s plot, its riddles, its questioning of human knowledge, and the role of the gods in a tragedy where they may at first seem absent. Janet Eilber, Artistic Director of the Martha Graham Dance Company, then talks about Graham’s Night Journey (1947), which tells Oedipus' story through the body of Jocasta, his wife and sister.]]></content:encoded>
	<enclosure url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/04/Tragedy-Today-Ep-4.m4a" length="103313661" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, we turn to Sophocles’ Oedipus the King. Dr. Lyndsay Coo (University of Bristol) joins Naomi to discuss the play’s plot, its riddles, its questioning of human knowledge, and the role of the gods in a tragedy where they may at first seem absent. Janet Eilber, Artistic Director of the Martha Graham Dance Company, then talks about Graham’s Night Journey (1947), which tells Oedipus' story through the body of Jocasta, his wife and sister.]]></itunes:summary>
	<itunes:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></itunes:image>
	<image>
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		<title>Episode 4: Oedipus the King</title>
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	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:01:11</itunes:duration>
	<itunes:author><![CDATA[Naomi Weiss]]></itunes:author>	<googleplay:description><![CDATA[In this episode, we turn to Sophocles’ Oedipus the King. Dr. Lyndsay Coo (University of Bristol) joins Naomi to discuss the play’s plot, its riddles, its questioning of human knowledge, and the role of the gods in a tragedy where they may at first seem absent. Janet Eilber, Artistic Director of the Martha Graham Dance Company, then talks about Graham’s Night Journey (1947), which tells Oedipus' story through the body of Jocasta, his wife and sister.]]></googleplay:description>
	<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Episode 3: Prometheus Bound</title>
	<link>https://podcast.chs.harvard.edu/episode-3-prometheus/</link>
	<pubDate>Thu, 23 Apr 2026 09:00:57 +0000</pubDate>
	<dc:creator><![CDATA[Naomi Weiss]]></dc:creator>
	<guid isPermaLink="false">5c572d4b-7e1e-552c-b4d8-59d52b6532be</guid>
	<description><![CDATA[In this episode, Naomi introduces Prometheus Bound, a play traditionally attributed to Aeschylus. Professor Mark Griffith (University of California, Berkeley) joins her to discuss Prometheus as philanthropos (“human-loving”), Zeus as a tyrant, and the other plays in the Prometheus trilogy. Then Naomi talks to theater director Annie Dorsen about Prometheus Firebringer, algorithmic theater, and technological hubris.]]></description>
	<itunes:subtitle><![CDATA[In this episode, Naomi introduces Prometheus Bound, a play traditionally attributed to Aeschylus. Professor Mark Griffith (University of California, Berkeley) joins her to discuss Prometheus as philanthropos (“human-loving”), Zeus as a tyrant, and the ot]]></itunes:subtitle>
	<content:encoded><![CDATA[In this episode, Naomi introduces Prometheus Bound, a play traditionally attributed to Aeschylus. Professor Mark Griffith (University of California, Berkeley) joins her to discuss Prometheus as philanthropos (“human-loving”), Zeus as a tyrant, and the other plays in the Prometheus trilogy. Then Naomi talks to theater director Annie Dorsen about Prometheus Firebringer, algorithmic theater, and technological hubris.]]></content:encoded>
	<enclosure url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/01/Tragedy-Today-Ep-3-NEW-V2.m4a" length="121878580" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, Naomi introduces Prometheus Bound, a play traditionally attributed to Aeschylus. Professor Mark Griffith (University of California, Berkeley) joins her to discuss Prometheus as philanthropos (“human-loving”), Zeus as a tyrant, and the other plays in the Prometheus trilogy. Then Naomi talks to theater director Annie Dorsen about Prometheus Firebringer, algorithmic theater, and technological hubris.]]></itunes:summary>
	<itunes:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></itunes:image>
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		<url>https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg</url>
		<title>Episode 3: Prometheus Bound</title>
	</image>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:13:11</itunes:duration>
	<itunes:author><![CDATA[Naomi Weiss]]></itunes:author>	<googleplay:description><![CDATA[In this episode, Naomi introduces Prometheus Bound, a play traditionally attributed to Aeschylus. Professor Mark Griffith (University of California, Berkeley) joins her to discuss Prometheus as philanthropos (“human-loving”), Zeus as a tyrant, and the other plays in the Prometheus trilogy. Then Naomi talks to theater director Annie Dorsen about Prometheus Firebringer, algorithmic theater, and technological hubris.]]></googleplay:description>
	<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
</item>

<item>
	<title>Episode 2: Oresteia</title>
	<link>https://podcast.chs.harvard.edu/episode-2-oresteia/</link>
	<pubDate>Thu, 16 Apr 2026 09:00:42 +0000</pubDate>
	<dc:creator><![CDATA[Naomi Weiss]]></dc:creator>
	<guid isPermaLink="false">3465a6a6-0e26-5974-801c-f24c563972b1</guid>
	<description><![CDATA[In this episode, Naomi introduces Aeschylus’ Oresteia, first performed in 458 BCE. She discusses the trilogy’s politics with Professor Afroditi Angelopoulou (University of Southern California) and then talks to author and journalist Larry Tye about Robert F. Kennedy’s use of Aeschylus in 1968.]]></description>
	<itunes:subtitle><![CDATA[In this episode, Naomi introduces Aeschylus’ Oresteia, first performed in 458 BCE. She discusses the trilogy’s politics with Professor Afroditi Angelopoulou (University of Southern California) and then talks to author and journalist Larry Tye about Rober]]></itunes:subtitle>
	<content:encoded><![CDATA[In this episode, Naomi introduces Aeschylus’ Oresteia, first performed in 458 BCE. She discusses the trilogy’s politics with Professor Afroditi Angelopoulou (University of Southern California) and then talks to author and journalist Larry Tye about Robert F. Kennedy’s use of Aeschylus in 1968.]]></content:encoded>
	<enclosure url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/01/Tragedy-Today-Ep-2.m4a" length="146947173" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[In this episode, Naomi introduces Aeschylus’ Oresteia, first performed in 458 BCE. She discusses the trilogy’s politics with Professor Afroditi Angelopoulou (University of Southern California) and then talks to author and journalist Larry Tye about Robert F. Kennedy’s use of Aeschylus in 1968.]]></itunes:summary>
	<itunes:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></itunes:image>
	<image>
		<url>https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg</url>
		<title>Episode 2: Oresteia</title>
	</image>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:20:15</itunes:duration>
	<itunes:author><![CDATA[Naomi Weiss]]></itunes:author>	<googleplay:description><![CDATA[In this episode, Naomi introduces Aeschylus’ Oresteia, first performed in 458 BCE. She discusses the trilogy’s politics with Professor Afroditi Angelopoulou (University of Southern California) and then talks to author and journalist Larry Tye about Robert F. Kennedy’s use of Aeschylus in 1968.]]></googleplay:description>
	<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
	<podcast:transcript url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/01/Tragedy-Today-Ep-2.html" type="text/html"/>
</item>

<item>
	<title>Episode 1: Greek Tragedy and Its Afterlife: An Introduction</title>
	<link>https://podcast.chs.harvard.edu/episode-1/</link>
	<pubDate>Thu, 09 Apr 2026 09:00:00 +0000</pubDate>
	<dc:creator><![CDATA[Naomi Weiss]]></dc:creator>
	<guid isPermaLink="false">997990fa-a04c-54b6-bc09-50b647fb5ea7</guid>
	<description><![CDATA[What was Greek tragedy and what is it today? In this episode, Naomi discusses the forms and ideas of Greek tragedy, from classical Athens to 20th-century Cuba, with Rosa Andújar (Barnard College, Columbia University) and Josh Billings (Princeton University).]]></description>
	<itunes:subtitle><![CDATA[What was Greek tragedy and what is it today? In this episode, Naomi discusses the forms and ideas of Greek tragedy, from classical Athens to 20th-century Cuba, with Rosa Andújar (Barnard College, Columbia University) and Josh Billings (Princeton Universi]]></itunes:subtitle>
	<content:encoded><![CDATA[What was Greek tragedy and what is it today? In this episode, Naomi discusses the forms and ideas of Greek tragedy, from classical Athens to 20th-century Cuba, with Rosa Andújar (Barnard College, Columbia University) and Josh Billings (Princeton University).]]></content:encoded>
	<enclosure url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/Tragedy-Today-Ep-1.m4a" length="138827647" type="audio/mpeg"></enclosure>
	<itunes:summary><![CDATA[What was Greek tragedy and what is it today? In this episode, Naomi discusses the forms and ideas of Greek tragedy, from classical Athens to 20th-century Cuba, with Rosa Andújar (Barnard College, Columbia University) and Josh Billings (Princeton University).]]></itunes:summary>
	<itunes:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></itunes:image>
	<image>
		<url>https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg</url>
		<title>Episode 1: Greek Tragedy and Its Afterlife: An Introduction</title>
	</image>
	<itunes:explicit>false</itunes:explicit>
	<itunes:block>no</itunes:block>
	<itunes:duration>1:15:03</itunes:duration>
	<itunes:author><![CDATA[Naomi Weiss]]></itunes:author>	<googleplay:description><![CDATA[What was Greek tragedy and what is it today? In this episode, Naomi discusses the forms and ideas of Greek tragedy, from classical Athens to 20th-century Cuba, with Rosa Andújar (Barnard College, Columbia University) and Josh Billings (Princeton University).]]></googleplay:description>
	<googleplay:image href="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/IMG_0215.jpg"></googleplay:image>
	<googleplay:explicit>No</googleplay:explicit>
	<googleplay:block>no</googleplay:block>
	<podcast:transcript url="https://podcast.chs.harvard.edu/wp-content/uploads/2026/03/ancient-greek-today-s1e1.txt" type="text/plain"/>
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